HOW TO
COMMISSION A PORTRAIT
Hilary is
happy to accept
commissions for portraits. Please feel free to phone her or email her
to discuss
details, but some basic information to help you is
given
below, along with guidelines on photography for when Hilary is unable
to meet the subject and take photographs herself.
| Medium
used : |
Pastel pencils in
sepia and light browns on a sepia
coloured paper |
| Portrait
size : |
Approx.
23cm high x
15cm wide unframed (drawn area only) |
|
Approx.
35cm high x
30cm wide with frame |
| Price : |
£75
for an approx. 23cm × 15cm portrait to be paid in advance |
|
additional
£40
for optional framing |
| Delivery
Time : |
1- 4 weeks
depending on
workload - can be discussed |
Framing
If framing is required it is done by Gabrielle, a framer in
Birmingham. A very appropriate mount colour
and moulding have been selected.
Glazing: Clear glass
Mountboard: 2039 ‘Peach’
Moulding: M 801 0018 ‘Unfinished Profiles’
Postage and packing
An unframed portrait can be sent bubble wrapped in a postal
tube
from around £2 (if uninsured). If the picture is
mounted
and
framed the cost would be higher. Please ask for pricing options.
Portrait and
Photography guidelines
Hilary normally does single portraits, rather than groups.
If you live
locally to Stratford-upon-Avon
(within 40 minutes drive) she will often be able to arrange to come and
meet the subject and take photographs. Otherwise she can work from
photographs you provide, including digital photographs sent by
email.
When
selecting photographs to be developed into portraits, please note that
care is necessary in choosing or taking an appropriate
photograph,
as what makes a good photograph does not necessarily make a good
portrait. Hilary suggests that you follow these guidelines to
get the most effective portraits:
Pose
– The
subject should be facing slightly off to the side, but not full
profile, and the face should be as relaxed and natural as
possible.
Smiles -
Smiles are most
certainly
allowed, but take care that they do not look like forced
grins,
held to long. Remember people expect that photographs are of a fleeting
instant, but expect portraits to be slower, so they will not
necessarily expect the same expression. They will also (hopefully) be
on the wall a long time, so try to make sure the subject is likely to
be happy with their expression.
Eyes - The
eyes can be looking directly at the camera, but this is
really an issue of what you would like most for your particular
portrait.
Light
– Flash may be
acceptable depending on the effect required - remember photographs tend
to be bleached out with a flash so as not to show all
the imperfections, however in many cases it will create a
flat and lifeless portrait. Natural light coming from straight behind
the camera or from where the subject is looking is best. This
will light
up the main features and give good shadows. The light should
not
be
coming from behind the subject, nor should it be reflected light coming
from everywhere as this will make the image very flat. Shadows are
good, they give depth, but only in contrast to light so please make
sure the
whole face isn’t in shadow.
Please ensure that you have the copyright or copy permissions for any
photographs you send. Thank you.
Copies
To
save you expense, if you wish to procure personal (non-commercial)
giclee copies of the portrait
you commission then Hilary is happy to give you some advice on copying
and
printing services to get it done yourself, rather than charging to get
it done for you.
|